| The key to successfully designing a promotional pen | | | | of silver or gold embossed lettering on a rich jewel |
| is to choose attractive and eye catching colors that | | | | tone roller ball pen. This winning combination practically |
| when seen among other pens, indeed among any | | | | screams classy, and will go far in promoting a |
| day to day object, will set itself apart in a classy | | | | corporate image. |
| way, rather than a way that will draw unwanted | | | | Once you have chosen your promotional pen colors |
| attention and seem more tacky than anything else. | | | | you would do well to stick with that decision for a |
| These possible color combinations of promotional | | | | long time. Everything from the font of your logo to |
| pens can range the gamut from vibrant jewel tones, | | | | he color of your pen should be designed to remain in |
| to eye popping fluorescents. While it may at first feel | | | | a persons memory, and if you go changing the |
| like being a kid in a candy store when picking out | | | | background color of your promotional pens every |
| these colors, self restraint is your best friend here, as | | | | three months you will in the end only be working |
| what can at first seem like a fun idea in color choices | | | | against what promotional pens are supposed to be |
| can quickly turn in to a promotional pen nightmare | | | | working towards (brand recognition). |
| leaving your little advertising buddy looking like a | | | | In the end however all that really matters is that you |
| tacky mess. | | | | are happy with your choice in promotional pens. If |
| It really all boils down to your decision on where to | | | | the promotional pen design you have chosen makes |
| place your pens, and what sort of corporate image | | | | you proud, and reflects the message you want to |
| you want to maintain. Clearly bright fluorescents are | | | | send to potential clients, then have no fear; choosing |
| the purview of promotional pens looking to attract a | | | | a green background over a blue background may |
| more young and daring crowd. While the more | | | | matter to some people, but no enough to make a |
| sedate (though no less attractive) pastels and jewel | | | | difference. Unlike many other aspects of your |
| tones should be used on pens that are designed to | | | | marketing strategy the devil is not in the details, |
| speak to a more refined crowd. A personal favorite | | | | rather the big picture is more important. |
| of clients looking to impress is the sharp combination | | | | |